Elvgren, like most pinup artists, began each project with a photo shoot, setting up the model wearing non-specific clothing, but with the proper lighting. If her foot needed to be up on a tree stump or whatever, he'd use a chair. Props were inconsequential. They could be improvised in the painting, but the model had to be in the exact pose with the exact lighting. Anyway, Elvgren would then do a painting of the photograph, changing the wardrobe or props as he painted.
This Chesterfield ad is an airbrushed photo, meaning they made a big photographic print and airbrushed right on top of it. They tried to get that pinup "glow" out of the picture, but the real giveaway is the face and hands. There's a lot of the original photo left. You can see when you click through the picture and look really hard.
Also of note here is the fact that the artist had to paint the girl twice. It's easy to forget that when this ad was made in 1948, Photoshop was still science fiction. So, this was all done with paint brushes, X-Acto knives and contact cement.The artist had to combine two photos of this girl, basically painting her up twice. The Chesterfield logo was used to hide the seam where the two pictures meet in the middle.
I wouldn't want to paint the same head twice, even if it was just a matter of retouching a photograph. Let's see how similar they are.
Here's shot video of both heads, alternating. You can see that they are the same photo, but repainted twice. The brush strikes aren't the same. The hair is a little different, etc etc. Interesting.
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3 comments:
So was there was no reproduction technology available?
I figured they'd print two, turn one upside down and stick them together or something.
Always fascinating, Phil.
Well, I don't know for a FACT that there was no technological solution to the painty-flippy problem they faced in making this ad. Call it informed conjecture.
A few of my professors had careers in commercial art, and I'm combining their stories with my own experience as a professional artist with some eyeball detective work.
I'd imagine that the ad agency would just pay the artist to paint the picture as-is, rather than involve another vendor to do the photographic trickery as well as a painter, you know?
The A/B comparison between the two faces simply convinced me that it was the same photo painted twice. The variances in details like skin tone and hair arrangement looks pretty clear. I could be wrong, though.
Thanks for reading, as always, Craig!
No, I think you're right. They're definitely different portraits.
Neat!
Largely off-topic, but it gets to the manual nature of things:
My dad was a display manager at Sears. Every store had its own sign shop. They'd get directives from headquarters on what needed to be promoted and that kind of thing, but the display manager was largely responsible for giving the store its own look and feel.
His sign shop was huge. They did carpentry, welding, printing, all kinds of stuff in there. Plus there was a lot of naked mannequins, which was awesome!
I mean, "which was interesting in a clinical sense."
Go in a Sears store now, and all they do is open up a box of stuff that Chicago sends along. A monkey can do it.
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